London Centre for Book Arts

London Centre for Book Arts (LCBA) is the UK’s first open-access book arts resource and educational centre, located in Fish Island, near Hackney Wick in east London.

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  1. We’re on Google Maps!

  2. High Resolution
  3. issuepress:

I want these!
spareresidency:

Our first series of artist postcards. Linus Bill , David Bodhi Boylan , Steffen Bunte , Dante Carlos , Jay Cover , Zak Jensen , Thad Kellstadt , Tim McMullen

    issuepress:

    I want these!

    spareresidency:

    Our first series of artist postcards. Linus Bill , David Bodhi Boylan , Steffen Bunte , Dante Carlos , Jay Cover , Zak Jensen , Thad Kellstadt , Tim McMullen

    (via mrcarlos)

  4. gottlund:

official…
LA Art Book Fair
February 1-3, 2013 Opening: Thursday, January 31, 6-9 pm At The Geffen Contemporary at MOCA
gottlund:

official…
LA Art Book Fair
February 1-3, 2013 Opening: Thursday, January 31, 6-9 pm At The Geffen Contemporary at MOCA
    High Resolution

    gottlund:

    official…

    LA Art Book Fair

    February 1-3, 2013
    Opening: Thursday, January 31, 6-9 pm
    At The Geffen Contemporary at MOCA

  5. Get discounted rates on all workshops (and a LCBA tote bag) when you become a Friend of LCBA.
Help support Book Arts in the UK. Get discounted rates on all workshops (and a LCBA tote bag) when you become a Friend of LCBA.
Help support Book Arts in the UK.
    High Resolution

    Get discounted rates on all workshops (and a LCBA tote bag) when you become a Friend of LCBA.

    Help support Book Arts in the UK.

  6. A great article in the Guardian about what we’re doing at LCBA!
For press enquiries contact Anna at Arts London PR www.artslondonpr.com  anna@artslondonpr.com
  7. renaissancesociety:

R.H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012; Tempera and silkscreen inks, gesso on wood, 37.082” x 60”
Join us Sunday, January 6th, from 4 to 7pm for the opening reception of RH Quaytman’s solo exhibition, “Passing Through the Opposite of What It Approaches, Chapter 25”.  There will be an artist talk from 5 to 6pm in Kent Hall, Room 120.  RSVP (though not required) via Facebook.
renaissancesociety:

R.H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012; Tempera and silkscreen inks, gesso on wood, 37.082” x 60”
Join us Sunday, January 6th, from 4 to 7pm for the opening reception of RH Quaytman’s solo exhibition, “Passing Through the Opposite of What It Approaches, Chapter 25”.  There will be an artist talk from 5 to 6pm in Kent Hall, Room 120.  RSVP (though not required) via Facebook.
    High Resolution

    renaissancesociety:

    R.H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012; Tempera and silkscreen inks, gesso on wood, 37.082” x 60”

    Join us Sunday, January 6th, from 4 to 7pm for the opening reception of RH Quaytman’s solo exhibition, “Passing Through the Opposite of What It Approaches, Chapter 25”.  There will be an artist talk from 5 to 6pm in Kent Hall, Room 120.  RSVP (though not required) via Facebook.

  8. shopkarma:

Sebastian Black, Period Pieces
“Period piece (…………………………..X,*)”
Karma, New York, 2012
6 x 9 inches (15.25 x 22.86 cm)
Edition of 500
PHOTOS
$18 Softcover Purchase
$150 Pre-order copies SOLD OUT
$250 Hardcover special edition of 25 Order (6 copies left)
shopkarma:

Sebastian Black, Period Pieces
“Period piece (…………………………..X,*)”
Karma, New York, 2012
6 x 9 inches (15.25 x 22.86 cm)
Edition of 500
PHOTOS
$18 Softcover Purchase
$150 Pre-order copies SOLD OUT
$250 Hardcover special edition of 25 Order (6 copies left)
    High Resolution

    shopkarma:

    Sebastian Black, Period Pieces

    “Period piece (…………………………..X,*)”

    Karma, New York, 2012

    6 x 9 inches (15.25 x 22.86 cm)

    Edition of 500

    PHOTOS

    $18 Softcover Purchase

    $150 Pre-order copies SOLD OUT

    $250 Hardcover special edition of 25 Order (6 copies left)

  9. Karel Martens, Untitled, circa 1994, letterpress monoprint on paper, 13 3_4 x 9 7_8in
via simongoode, via P!

    Karel Martens, Untitled, circa 1994, letterpress monoprint on paper, 13 3_4 x 9 7_8in

    via simongoode, via P!

  10. christopherschreck:

Yves Klein, Peintures, 1954
“Klein’s first public gesture as an artist, this book introduced the world to a series of paintings by the unknown artist ‘Yves’. Subtitled 10 Planches en Couleurs, the booklet presented ten horizontal rectangles of commercially-printed colored papers as if they were reproductions of monochrome paintings that, in fact, didn’t exist.”
http://www.yveskleinarchives.org/works/works22_fr.html
christopherschreck:

Yves Klein, Peintures, 1954
“Klein’s first public gesture as an artist, this book introduced the world to a series of paintings by the unknown artist ‘Yves’. Subtitled 10 Planches en Couleurs, the booklet presented ten horizontal rectangles of commercially-printed colored papers as if they were reproductions of monochrome paintings that, in fact, didn’t exist.”
http://www.yveskleinarchives.org/works/works22_fr.html
    High Resolution

    christopherschreck:

    Yves Klein, Peintures, 1954

    “Klein’s first public gesture as an artist, this book introduced the world to a series of paintings by the unknown artist ‘Yves’. Subtitled 10 Planches en Couleurs, the booklet presented ten horizontal rectangles of commercially-printed colored papers as if they were reproductions of monochrome paintings that, in fact, didn’t exist.”

    http://www.yveskleinarchives.org/works/works22_fr.html